Wilderness Art Talk with Graham Crowley!

Gosh what a week or two! Got four new paintings finally finished on the day before the opening. The Core Gallery launch had taken up more than a chunk of my life so everything else has been shunted- to be expected. Then just as things looked a bit more normalised and I could start making headway on masses of paperwork the curator we had for the artist talk this saturday had to pull out to deal with family emergencies.

Several frantic phone calls later Graham Crowley managed to save the day, stepping into the helm and he shall be chairing our discussion about Wilderness. I am so very excited to have him chair the talk, it will be fantastic!


Also, we had our first gallery intern Emily Chan joined us who will be taking over some of the Core Gallery work for us. A double blessing week!

Invitation to :

Wilderness

rosalind davis, enver gursev & neil kelly

Saturday 29th May 2010, 2pm onwards

Artists in Dialogue with Graham Crowley

Graham Crowley one of the most distinguished living painters in the UK shall be in conversation with Wilderness Artists: Rosalind Davis, Enver Gürsev and Neil Kelly

Please rsvp coregalleryinfo@gmail.com to reserve a space as places are limited

Wilderness is an exhibition by three of London's most promising emerging artists exploring the idea of wilderness through painting, drawing and installation.

Davis, Gursev & Kelly’s works each interpret notions of seemingly abandoned spaces. The results depict urban and dystopian scenes, as if in the wake of apocalypse.


Graham will discuss and explore with the artists the concepts in their works, their notions of Wilderness as well as their own varied and fascinating careers so far in the Wilderness of the Art World!


Wilderness is a show not to be missed, with new works on display from each of the artists.


About Graham Crowley
Graham Crowley is one of the most distinguished living painters in the UK today
Born in 1950, Graham Crowley studied at St. Martin’s School of Art London 1968-72 and Royal College of Art London 1972-75, and has held significant teaching posts including Professor of Painting at the RCA (1998-2006)


His paintings span a vast variance in style from the approprationist art of the 70s to his brilliantly luminous landscapes of the present day, tracking a fundamental narrative with political, cultural and personal histories within them.


Crowley was a judge on the 25 John Moores panel in 2008. As an applicant he has exhibited eight times, winning prizes in 1987 and 2006.

www.deptfordartmap.com/core-gallery

coregalleryinfo@gmail.com

Core Gallery C101 Faircharm Trading Estate, 8-12 Creekside, Deptford, London SE8 3DX

A review of my solo show: A Difference in Vision

As I frantically finsh paintings for my upcoming group show at Wilderness in Core Gallery , a lovely review for my current solo show has arrived! Hussah!

http://poptartlondon.com/2010/05/10/a-difference-in-vision/
Check it out on :
http://poptartlondon.com/2010/05/10/a-difference-in-vision/

Pop T'art London
I first noticed Rosalind Davis‘ mixed media paintings last year at the Deptford X art festival. I was drawn by the vibrant colours and clever use of fabric to create collage pieces which she then paints and embroiders over.
So it was a real pleasure to be shown round her new solo show A Difference in Vision by Rosalind herself at Bloww gallery off Regent Street recently.
The above piece, from which the show takes its title, is oil and embroidery on vintage print cotton sateen. It depicts the huge Robin Hood estate in Poplar, East London which was designed in the 1960s and condemned in the 2000s (much to the dismay of many leading architects campaigning to preserve it as a modernist masterpiece).
What I really like about Rosalind’s work is the surprising contrast between her subject matter of brutalist architecture with the materials she employs to depict them – florid fabric and delicate hand stitching – to create otherworldly, surreal pieces. “I enjoy mark making with embroidery,” says Rosalind. “It’s more controlled and emphasises the fragility of our buildings and of our own existence.”

Rosalind meticulously researches the buildings she paints by photographing them and talking to their residents where possible (many of the buildings are derelict).

This one above called 26 Remain refers to the 26 remaining families in the Ferriers estate in Kidbrooke, Greenwich.

While you may recognise Elephant and Castle’s famously dilapidated, and soon to be demolished, shopping centre in this piece, Belong Nowhere.
It can take Rosalind between one to four months to execute a piece. Often sourcing the fabric becomes a mission in itself as she likes to incorporate material which reference the period of the buildings’ construction.

Her work highlights the breakdown of social housing, community and the overall failings of modernity. And it certainly lives up to this show’s title. I really like Rosalind’s unusual, thorough and intricate approach which gives layers of meaning to each picture. Go see!
A Difference in Vision runs until 9pm, this Saturday 15th May. After that you can see new and existing work from Rosalind Davis (and two other artists) at a new exhibition Wilderness which runs at Core Gallery in Deptford from Saturday 22nd May.